Poetry and Flash Fiction are fabulous
forms within which to work, and I love writing and performing both. At their
best, they make for concise and memorable works of convenient length for live
performance, not going on for so long that the audience loses attention, and
they can pack a lot of meaning into a limited space. Both are equally enjoyable
to perform. Yet although they have shared features, the two forms of writing
are different; they communicate in different ways. The main similarity between
the two is that neither has space for extraneous words or slack verbiage. Every
word has to pay its way; in crafting effective poems and Flashes, there simply
isn’t time or room to ramble or digress. But the use of those carefully-chosen words,
and the intended results, are not entirely the same in the two literary forms.
Poetry
allows ambiguity, suggestion, and the delicate evocation of atmosphere. Serious
(as opposed to comic) poetry often works by hints and implications, allowing
the listener or reader to find their own meanings within the piece. It often
says those things that cannot easily be spoken directly, working on the
subconscious level, so that I have sometimes found that the imaginations of the
audience will find meanings in a poem which the poet did not originally notice
was there.
Flash
Fiction is equally concise, but more direct. To communicate to an audience, the
Flash Fiction has to hold together as a story; it cannot be just a beautiful
invocation of ambiguous atmosphere. Of course there can be plenty of
atmosphere and ambiguity in a Flash Fiction, but they have to be there in the service
of the story, not as an end in themselves. A Flash Fiction is not the same
thing as a poem re-written without end-stops. It’s a story; it needs narrative,
structure and development, leading to a conclusion that audiences will find
satisfying (if sometimes rather unsettling). Remember, a flash is something
brief, bright, direct and illuminating. You can’t have a hazy or a misty flash.
Of
course, this is a personal opinion, based on what I’ve found that out through
trial and error, from writing and performing, and by learning from the effects
that different pieces have on an audience. Still, I do think that there is a
distinction between what sort of thing works best in a poem and what makes a
Flash Fiction effective . . . . And when it comes to deciding whether the
brilliant piece of inspiration that came to you in the shower this morning
would be best turned into a poem or a Flash, well that decision is yours to
make – try it out, see what works, write and enjoy!
As a poet and flash fictioneer, I'm still confused on this, Sue. I really don't know if some things I write are flash fiction or a narrative poem. Sometimes I write it both ways, maybe just cutting a little more out of the poem version, concentrating a little more on rhythm. I've read a short story at a poetry night and it's reacted to as a poem, I've had poems (sans line breaks) published as stories. It's a thin line and I think a lot of us straddle it!
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